翩然而至

超人气少女原菜乃华映画初主演，90后新锐导演酒井麻衣的幻想映画作品，关于子役成长为女优的故事，松井玲奈，吉田凜音共演。

蛋炒饭

上世纪七十年代，老北京胡同里住着三个孩子，王大卫、李红兵、苏茉莉，三人青梅竹马，一起从小玩到大。大卫（黄渤 饰）祖上是宫廷的御厨，公私合营后父亲在国营饭店掌厨，一身的绝学最终遗憾地带到另一个世界。大卫子承父业进入饭店，却因做了一个糟糕的蛋炒饭只能干些打扫的工作。时代沧桑巨变，社会越来越开放，人们都在这浮躁的气息中寻找明天的出路。红兵和茉莉相恋，最终却分手外出闯荡世界；怀有身孕的茉莉终究不愿接受爱恋自己的大卫，转而南下追寻心中的明星梦。借着新政策之力，大卫承包了国营饭店，开始干出一番事业。 　　时光流转，旧日的好友你来我往，从不驻留，用各自或明或闇、光怪陆离的人生装点着这飞速变幻的离奇世界……

致命海拔

两名被栽赃的毒贩为躲避追杀，混上了一辆救护车。夜间迷路，燃油耗尽，天亮被困雪山高原。杀手逼近，却同样被困雪山、生命垂危，究竟该何去何从？双方交战身份被识破，究竟谁才是幕后凶手？谁又会迷途知返？

现实主义勇者的王国再建记 第二季

　　现实主义勇者的王国再建记 第二季 制作决定！                                                                    　

革命1985

《革命》是由《火战车》的大导演Hugh Hudson执导的又一部史诗般气势宏伟的巨片。艾尔-帕西诺扮演一个被时代洪流推着走的小人物，他从一个不愿参加战斗的明哲保身的小市民到自觉参战的美国公民，从而经历了美国为脱离英国统治而爆发的独立战斗的全过程。电影没有从一个伟人，例如华盛顿入手，而是通过底层人物的命运转移带出对这段历史的公正评价及当时年代各阶层勾心斗角，前线战火纷飞的残酷场面。帕西诺或者说是美国人民最终获得胜利，他们不仅赢得了自由，幸福及粮食，更描绘出一个摆脱帝制后全速前进的美丽蓝图……

那天的氛围

体育经理人在贤（柳演锡饰）是个相当玩世不恭的青年，他在釜山高速列车KTX上第一次见到了秀晶（文彩元饰）就对其一见钟情，性格直率不羁的他提出要和秀晶谈一场一天的恋爱。秀晶是一个不愿意给男人任何可乘之机的“铁壁女”，面对在贤的各种无理要求她相当恼火，而在贤却决心要在24小时 内得到秀晶的心，这样一对想法完全不合拍的两人从此展开了一场爱情拉锯战。

深爱十年

该片讲述了一位深漂女孩白梦梦，十年后重新踏足深圳，看着周围的楼宇街景，回想起十年前在深圳的奋斗历程和情感纠葛历历在目。影片以回忆的形式展开，不同主人公之间，不同的初心，让他们面对内外的压力与冲突，有截然不同的的承受能力。城市里无数年轻男女，在以各自不同的方式，挣扎着属于自己的未来。，影片穿插现实中各行业的“深漂”族代表，有企业家、白领阶层等等，每个人在回首来深的这段经历，感受都各不相同。正如该剧编剧万敏所言：“这部电影有你或许没看过的深圳独特景色，有你或许没见过的环肥燕廋、人情世故，有你或许没有体验过的的世态炎凉和草根小人物可怜的宿命。”

遥远的时空中·舞一夜

故事发生在遥远的异世界“京”，距离元宫茜（川上伦子配音）成为神龙神子已经经过了数月，她和保护她的八叶之间也有了深厚的感情羁绊。为了为京都祈福，橘友雅（井上和彦配音）接受了建造宫殿的命令，可是工期总因为无缘无故的大火而遭到延迟，阴阳师安倍泰明（石田彰配音）觉得十分可疑，因此展开了调查。另一边，京都发生了孩童被拐走的恶性案件，无论如何都不能坐视不管的茜踏上了寻找真相的路程。在雨中，茜遇见了名为多季史（樱井孝宏配音）的神秘男子，后者为茜披上了挡雨的薄衣后匆匆的消失。他究竟是谁？京都的火灾与孩童的失踪与他有着怎样的联系？茜开始有了一种不祥的预感。

调皮爸爸

San Kaew is a cunning girl who disguised herself as a boy to find her real dad. She then finally meets him. Panin, a player businessman, is shocked, then he remembered that he was once involved with a woman named Thipkesorn, San Kaew's mother. He thinks his son is a lady boy and tries to be a good role model to him, so he can be a man, but he doesn't know that she's a girl.

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

大胸泰熙

即将结婚的准夫妇车旭和敏珠，车旭向职场后辈龙宇夫妇建议来一场情侣旅行，龙宇妻子志娟虽然不喜欢这种不方便的旅行，但因为是龙宇的上级的要求，只好答应决定一起去旅行，车旭却趁机有着邪恶的计划，旅行当天，善良的敏珠最终决定向志娟告知这一计划，而志娟却将计就计....

超能警探

该剧改编自同名人气网漫，讲述失忆的超能力刑警“东柏”遇到连续杀人事件后发生的故事。 　　由电影《邻居》《石雕宅邸杀人案》的金辉导演、《恩珠的房间》苏在贤导演共同执导，2020年播出。