我爱甜甜圈2

小女孩们的成长可不是总是像“甜甜圈”那么甜蜜，在她们成长过程，也会糗事连连、乌龙多多。

逍遥法外第二季

这部极具悬疑的剧由《格蕾》和《丑闻》的编剧操刀，开播时成为收视最高的剧情类新剧。教授打着官司，教着课，偷着情……这小日子够复杂了，但老天觉得还不够，把她和几个学生牵扯到一场谋杀里。

法律与秩序：特殊受害者第七季

北京你好

改革开放初期，在北京一个寒冷的清晨。天还没亮，99路汽车售票员艾红（马晓晴 饰），与每天骑自行车接她一起上班的王朗（金铁峰 饰）来到车场。李队长（李连义 饰）给他们介绍新来的司机邹永强（王全安 饰）。王朗售票时积极热情，艾红却相反。她跟刚来不久的邹永强走的越来越近 。当 王朗又在老地方等艾红上班时，她没有出现。王朗到了车场发现她和邹永强有说有笑的，对他却很冷淡，王朗心里很不好受。永强的哥们是倒爷，出手大方阔绰。羡慕物质生活的艾红，她决心要辞职去挣大钱。艾红遇到了自称是新加坡留学生的陈明克（贾宏声 饰），他请她听歌，又送录音机、新衣服，还邀她去游玩，贪慕虚荣的艾红立马沦陷。不久她向永强提出了分手，永强因失恋的打击开车分神出了事故。艾红发现怀了孕，去找陈明克时却意外得知他是假留学生......

妈妈的神奇小子(普通话版)

电影根据残奥冠军苏桦伟真人真事改编。苏桦伟生来因黄疸病导致脑痉挛，无法正常站立行走。而苏妈（吴君如 饰）没有放弃，不仅帮助儿子站了起来，还发掘了他的跑步天赋，直到苏桦伟被残障田径队选中，夺得残奥会冠军并打破世界纪录，这对神奇母子的热血励志传奇开始家喻户晓。

喜剧恐怖小短片#恐怖理发店

　　午夜即将到来，理发店打工小哥的紧张到达上限，老板便许他下班。而后，门铃的响动，大门的半开，地上的痕迹......理发店老板该怎样应对这个不速之客？2013年“Who's there”恐怖比赛获奖作品。博你一笑。

红尘囧探刘小唐

本剧讲述了，应公殉职的捕快之后刘小唐，从小天分不佳，仍然励志要成为像父亲一样的英雄，在他的成长过程中，不断的遭遇失败却不放弃努力，机缘巧合之下进入红尘客栈，为蒙冤十年的赵三娘翻了案。而三娘虽然遭遇灭门惨案，恨尽天下男人，开了红尘客栈，利用美色勾引男人杀人越货，但她的内心仍心怀大爱，收养孤儿，最后也为自己犯下的错误付出了相应的代价。 本剧中的人物，刘小唐表面无能但意志坚定，赵三娘看似无情实则内心柔软、师师从小失去父母却任然保存一颗纯真善良的心，师爷为了说出真相勇于对抗权贵。通过对这一个个鲜活丰富的人物的描写，强调了努力付出终有回报，鼓励年轻人坚持到底，同时弘扬了正义终能战胜邪恶、好人一定会有好报的道理，为观众传递了小人物也能成为大英雄的正能量。

喷火美人鱼

难得一见的青春惊怵片，三对年青男女，驾船出海度假，忽然遇上风暴，被迫在小岛过夜。忽然听到新闻报道:一个穿红色比基尼泳衣的女郎，一连杀了十三个人，驾快艇逃亡。正在此时，他们见到一个美艳的女郎正破浪而来，身上刚巧穿上红色比基尼。女郎要求跟他们同上岛避风，六人虽有戒心，但她的美丽不能抗拒。当晚，在相处之间，女郎的美丽和挑逗，令众男女之间产生前所未有的冲突，关系恶化，最后，他们决定要在暴风雨夜，将女郎赶出别墅，神秘女郎如何自救，她的身份又是什么？电影不到最后一分钟，也不知结局。中德混血儿胡燕妮，青春美艳，身材惹火，令电影更添迷惑色彩。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

马戏团

A circus operator and his gymnast friends belonging to a big circus company 'juggle' with their lives and try to bring back the extinct circus culture to the public.

芸芸众生

该剧通过个人视角来探索人类联系的深层意义，每个故事都从不同的角度和时间点出发，阐明即使在我们看似最孤立的时刻、在最截然不同的情况下，我们都是通过人类的经历联系在一起的。

猎豹行动1998

1998年的动作电影，由林展伟导演，大岛由加利、张耀扬、于荣光、元华主演。\r我国警方在某沿海城市截获一国际贩毒集团的毒品和密码光碟，受亚洲金融风暴的影响，香港房氏集团急需用钱，便与南美贩毒头目卡尔联手，他们劫走菲律宾警方抓获的贩毒成员占士，抢走日本福冈银行的巨款。在国际刑警组织的布置下，中国、日本、菲律宾、香港三国四方国际刑警实施了\"猎豹行动\"，终将企图夺回毒品和光碟的贩毒分子一网打尽。