《拜托啦师兄》以鲜有影视作品涉足的击剑领域切入到运动题材，在剧情上融合激动人心的竞技体育、百转千回的情感纠葛和跌宕起伏的人物成长。该剧主要讲述的是一个天才击剑少年遭遇重创之后，在体育精神的引导下，涅槃重生，再创辉煌的故事。通过一群击剑运动员的心路历程，投射出年轻一代百折不挠、热血励志的奋斗群像。
故事智利独裁者奥古斯托·皮诺切特展开，他并没有死，而是成为了吸血鬼。在这个世界上呆了250年之后，自身耻辱以及家庭冲突所带来的疾病，令他决定永远地死去。
《总理和我》（총리와 나）是由李素妍导演，金恩熙、尹恩景联合编剧，由李凡秀、林允儿、尹施允、蔡贞安、柳镇等主演的月火剧。故事讲述独自抚养三个孩子却是个“工作百分，育儿零分”的总理爸爸，他的家庭突然降临圣诞礼物般的年轻妈妈后所发生的故事。 [1] 该剧于2013年12月9日在韩国KBS2电视台首播。
小小少年T.S. 斯派维（凯尔·凯特莱特 Kyle Catlett 饰）生于蒙大拿州一个偏远牧场，他有一颗聪明绝顶的大脑，酷爱制图学和科学图解，年仅十岁就发明了永动机。他的父亲（考乐姆·吉斯·雷尼 Callum Keith Rennie 饰）是个狂热的牛仔迷，搜集关于西部牛仔的一切；母亲（海伦娜·伯翰·卡特 Helena Bonham Carter 饰）是一位生物学博士，潜心投入到昆虫研究中；而姐姐则是一个最普通不过的正常人，她常常为生在这个一屋子怪人的家里而烦恼。T.S.原本还有一个异卵双胞胎弟弟雷顿，去年死于一场意外。 这天，T.S.接到一个来自史密森学院的电话，告知他被授予了世界科学大奖贝尔德奖，并邀请他到华盛顿演讲。于是，十岁的科学奇才T.S.斯派维，偷偷爬上了货运火车，独自踏上了穿越美国的奇异旅行。
1937年日军开始大规模入侵中华大地，一支日军小分队来到太行山区的一座小村庄，追捕一位受伤的八路军情报员。几位机智勇敢的孩子们刚成立了小飞虎队，他们救了八路军情报员，就这样被卷入本次事件。警察局刑侦科马科长被派来协助鬼子的搜捕工作，此时武工队也来支援寻找八路军同志。孩子们每日去山中给八路军同志送饭，引起了保长的注意，也引起了鬼子的猜疑。八路军情报员的行踪很快被鬼子发现，危急之时他将情报交给了小飞。鬼子没有搜到情报很是恼火，将八路军战士关了起来。此时村长与武工队已经准备好了营救方案，马科长也亮明了身份，她就是打入内部的联络员。晚上，营救八路军同志的枪声响起，马科长与孩子们接头，成功完成了任务。
影片讲述两个朋友的攀岩冒险变成了一场可怕的噩梦。凯莉用DV镜头捕捉到她最好的朋友被谋杀的过程后，她成为了这群朋友的下一个目标，他们为了不惜一切代价销毁证据决定追杀凯莉。凯莉为了活下去必须开始了一场危险的攀登，她的生存本能受到了考验......
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
讲述卡尔在艾莉去世后即将迎来第一次约会的故事。
麻薬密売組織から派遣されてきたスウェーデン人の運び屋のイングリットヤコブセン。東京羽田空港に降り立った彼女がそこで出逢ったのは、女漁りにきていた青年五味川一郎。そんな彼を日本の密売組織の一人と勘違いしてしまったイングリットは、言葉も通じぬまま自動車に乗せられ、一路京都へと連れていかれる。古めかしい家屋に招き入れられるイングリット。不審を抱き、逃げだそうとするが、時すでに遅く、一郎に無理矢理犯されてしまう。 その日から監禁状態の生活が続く。日が経つにつれ、イングリットの心は一郎に対し、軽蔑から憎悪へと変わっていく。逆に一郎は、彼女の肉体のトリコとなり、誠心誠意で彼女に尽くす。だが、イングリッドにはそんな彼の態度が理解できなかった…。スキをついて、密室から抜け出すイングリット。そして、いなくなったイングリットを狂気の如く探し求める一郎。果たして、彼...
该剧以“30代未婚青春”为主题，讲述了买不起房的年轻世代们在实际生活中遭遇的故事。只有房子玄关所有权的房奴南世熙（李民基 饰），他在受尽各种委屈后，跟一辈子都买不起房的露宿者尹智好（郑素敏 饰）相遇。两人在一起入住同一间房子之后，逐渐开始产生爱情火花 。
网红主播杨惊鸿一心想要成为顶级明星，偶然间因一段颇具宣泄意味的舞蹈一夜之间爆红，也因此接到了一系列电视采访及电影出演机会，一跃成为大明星。但是接踵而来的是各种丑闻黑料，使得杨惊鸿不堪重负，经过几场闹剧，杨惊鸿才发现真正的成功要脚踏实地。电影直击当今的网红经济，展现互联网时代下小人物的人性和命运。
少年时的当归与童养媳乌梅青梅竹马，他带乌梅划船出逃被抓回当归被脱光衣服吊在晒架上示众。一个名叫防风的脚户抽刀砍绳，救下当归。青年时的当归与红花姑娘相识相爱，不料红花却被父母卖给下身有病的铁匠铺老板柴胡，一段纯真的爱情又遭夭折。大旱天，已是壮年的当归在沙坡地发现一个怀抱孩子、奄奄一息的妇人，他拔刀刺向心爱的骡子，取血为母女俩解渴。