朱嘉华（周润发饰）是一个刚从警校毕业的牛奶仔，他到警局后看不惯警界人的一些做法，因此得罪了上司。但他仍保持着一个警员应有的职业准则，最终立下了大功，成为“金榜英雄”。
电影改编自世界著名摩托车手伯特·孟若的生平，真实而又生动的再现了一代传奇车手跌宕起伏的一生。故事开始于1899年，孟若（安东尼·霍普金斯 Anthony Hopkins 饰）降生到了这个世界上，从小体弱多病的他甚至被医生下达过“死亡通知书”，但幸运的是，孟若还是顺利的长大了。 1915年，孟若有了自己的第一辆摩托车，从此开启了与风竞速的生涯，直到七十二岁那一年，孟若依然没有放弃自己曾经的梦想。他改装了二十年代购入的印第安牌侦查摩托车，从新西兰骑往美国。一路上，孟若结识了易装癖者蒂娜（克里斯·威廉斯 Chris Williams 饰）、寡妇艾达（戴安·拉德 Diane Ladd 饰）、销售员佛兰多（保罗·罗德里奇斯 Paul Rodriguez 饰）等一干有趣的朋友们，在他们的帮助和鼓励下最终创下了新的世界纪录。©豆瓣
メイドロボ・シルファはただいま河野家で修行中の身。貴明に対して強気な態度のシルファは、実は極度の人見知りでほとんど外に出たことがありません。そんなシルファを憂慮したイルファは、彼女の成長のためにあることを提案します。食べた相手のハートを射止めることができるという、春夏直伝の特製”必殺カレー”を貴明に振舞うため一大奮起するシルファは、食材を買いに単身街へと繰り出すのですが…。謎の転校生・はるみも加わり、シルファの初めてのおつかいはレシピ争奪バトルへと発展していきます。果たして貴明に”必殺カレー”をもてなすのは誰なのか！？ 夏休みを間近に控えたミステリ研究会の笹森花梨は、この夏の活動予定を立てていた。研究会唯一のメンバーである貴明と一緒に活動できることを楽しみしていたのに、彼には生徒会の仕事もあるという。その矢先、貴明の入部届を保管していた机が突如消えてしまった…。一方、生徒会ではまーりゃんの提案により、水着ファッションショーの準備が進みつつあった。女の子の水着姿に想いを馳せる雄二と、水着写真集で一儲けを企むまーりゃんは、貴明をダシに参加者を次々と集めていくのだった。ファッションショーに向けてプール掃除をはじめるヒロイン達。入部届の捜索に乗り出していた花梨は、ダウジングを駆使してプールにあることを突き止めた。そこで彼女のとった行動とは…。夏の日差しが降り注ぐプールサイドで、ひと足早い水着祭が開催される！？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
怕什么来什么的女仆迎来了她丰富的一天生活...
查理（汤姆·克鲁斯 Tom Cruise 饰）父亲去世，留下了300万美元的遗产。然而令他意外的是，遗产全部给了一个他不认识的哥哥雷蒙（达斯汀·霍夫曼 Dustin Hoffman 饰）。雷蒙的名字查理从没听过，这个事件让他气愤不已。他决定前去寻找哥哥。谁知雷蒙的住处就在一个精神病院里，原来他自幼患有自闭症，母亲去世后就被送到精神病院治疗。查理心中有了算计，他把雷蒙带出精神病院，企图骗他出让遗产。雷蒙的生活习惯奇异，活在自己的幻想世界里，有很多离奇古怪的行为。并且，查理在共处中发现了雷蒙惊人的记忆能力，他试着利用哥哥过目不忘的本领去赌场上试一下身手，赢得了一大笔奖金，使查理足以摆脱穷困生活。而令查理收获更大的是，他还获得了慢慢升温的亲情，这种手足情远远胜过了他原先图谋的300万的遗产。©豆瓣
女主女人味十足，跟男友玩各种情调，却又嫌男友没钱，因此勾搭了另外一个富二代，富二代也是个花花公子，对女主垂涎已久，于是这笔无耻的性54交易就开始了，富二代和女主开始在各个地方疯狂ML，各种姿势，女主虽然也有想过自己之前的男友，但是为了爱情，她似乎觉得这性-/福生活就是她的幸福...
After a virus kills all of the Earth's adults, rival children battle for control of an abandoned theme park.
?香港版本的《医道》於播放前会先有一个为时约一分鐘特备节目《医道小百科》，由崔建邦及宋芝龄主持，为观眾介绍剧中出现的药材或其他医学知识，有时亦会介绍剧中花絮。 ?本剧的原名是《许浚》；到了臺湾，被臺湾电视公司彻头彻尾改了剧名－－变成《医道》。臺湾电视公司在播放本剧之前，曾经播出ＭＢＣ於2002年製作的古装韩剧《商道》；於是讲述医者故事的韩剧《许浚》就被冠了个「道」字，变成《医道》。香港ＴＶＢ播放时採用了臺湾译名。 * 香港版主题曲《医道》，曲：杜自持；词：张美贤、李克勤；主唱：李克勤。 * 臺湾版主题曲《一代神医》由陈大力作词，王杰主唱；插曲《风沙》由王心凌作词及主唱。 【剧情简介】： ?在南朝鲜电视史创下百分之六十三点五之高收视率的韩剧「医道---一代神医许浚」，17日起每周一至周四晚间九点半将在台视频道播出，全剧气势恢宏浩大，剧情起伏迭宕、扣人心...
Brothers & Sisters回归第二季，由执行制片：Ken Olin，编剧：Jon Robin Baitz，Greg Berlanti和Mark B. Perry继续为大家带来Walker家族复杂而又迷茫的美国生活。这部引人注目的一小时剧集，将于星期天晚间10点到11点这一时段在ABC台播放。这特殊的一小时将为大家带来怎样的礼物呢，奇妙的冒险和戏剧性的故事情节是最后一季的突破点。
《孝利家民宿 第二季》继续讲述李尚顺、李孝利夫妇在自家民宿接待客人的故事，本季将展现冬季济州岛的美景，而民宿新职员林允儿和短期兼职生朴宝剑的表现也令人格外期待。