这是一场梦想与友情的抉择，是关于神秘能源核的全新探索，《开心超人联盟》第12季《开心超人联盟之星际联盟》来了。
一次偶然中，布兰登（马修·麦康纳 Matthew McConaughey 饰）发现自己竟然拥有一项如此神奇的特异功能——他能够准确预测出每周末举行的橄榄球比赛的结果。这一能力彻底扭转了布兰登失意而又颓废的生活，同时也将他卷入了金钱和利益所构造的漩涡之中。 沃特（阿尔·帕西诺 Al Pacino 饰）经营着一家体育顾问公司，布兰登的神奇能力在他的眼中无异于是一根点石成金的魔杖。野心勃勃的他找到了布兰登，千方百计的说服了后者加入了他的公司。从此，沃特的事业扶摇直上，布兰登也在沃特的身上找到了亲情和友情。但随着布兰登的能力的逐渐流逝，他和沃特之间的关系也开始了动摇。两人心中都有各自的想法，而最终的赢家只有一个。
故事发生在密歇根州底特律市，杰基（梅格·瑞恩 Meg Ryan 饰）却仍然没有放弃探索生命广度的可能性，她决定成为一名拳击经纪人。长久以来，这一职业一直被男性霸占，如今，腾空出世的杰基能够获得界内的认可和肯定吗？果不其然，杰基的工作受到了诸多的排挤，但她永不言弃的个性使她渐渐获得了客户和同行们的尊敬和钦佩。 某日，杰基遇见了名为卢瑟（欧玛·艾普斯 Omar Epps 饰）的次中量级拳手，在一场街头斗殴之中，杰基发现了卢瑟身上隐藏着的拳击天赋。杰基说服了杰基参加职业拳赛，又找来了经验丰富的教练菲利克斯（查尔斯·达顿 Charles Dutton 饰）相助，三人在强敌林立的擂台上打出一条血路。
中国首部泗州戏戏曲电影《拾棉花》，1958年由上海电影制片厂拍摄。电影讲述玉兰与翠娥相邀下湖摘棉花，在劳动间隙，二人争夸自己女婿，被看瓜老汉听见的故事。戏曲唱腔优美，经典唱段多年来久唱不衰。 《拾棉花》(泗州戏)盛夏，玉兰与翠娥相邀下湖摘棉花。在劳动间隙，姑娘们面对丰收的好年景，相互倾谈着对幸福生活的向往和憧憬，争相夸耀着自己的女婿。她们快乐而有趣的谈话，被躲在树上看瓜的老汉偷听到，老汉忍不住哈哈大笑，最后竟然得意忘形地从树上跌了下来。姑娘们发现她们之间的秘密谈心被外人偷听了，羞涩地急忙跑掉。
马赛，1905年7月。年轻的MarcelPagnol刚刚完成他的小学学业。三个月后，他将进入“高中”。三个月……在你这个年纪的时候是永恒的。因为它是假期时间，大城市的孩子，期待已久的回归他亲爱的欧巴涅山丘，那些“我父亲的荣耀”和“我母亲的城堡”让他快乐。
重案组刑警吴英雄（赵又廷 饰）在拯救客机后成为警界明星，出演各种警队宣传片风光无两。是日，海港城陷入突然危机，高铁、跨海大桥等交通要道突发连环爆炸，吴英雄在追索嫌凶过程中与东区分局刑事侦查组刑警陈真（林更新 饰）结为搭档，又再度重逢被逼做人肉炸弹的通缉犯徐达夫（黄渤 饰）。原来，一号为“夜行者”的神秘组织绑架了徐达夫等通缉犯的家属，逼迫他们作为人肉炸弹将海港城通向外界的各通路炸毁，使海港城变为孤城，以释放生化病毒，执行毁灭城市的“枯草计划”。吴英雄和陈真为解救徐达夫妻子杜小晴（关颖 饰）并阻止枯草计划，与鉴识官蓝西英（张钧甯 饰）、黑鹰队成员黄世楷（修杰楷 饰）等人向夜行者发起挑战。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
民国年间南派咏春传人陈识（廖凡 饰）来到天津，结识了天津武术泰斗郑山傲（金士杰 饰），为在武术界开馆立足，郑山傲建议陈识用教徒弟踢馆的传统方式达成目的。几经周折，陈识娶了一名天津绝色女子赵国卉（宋佳 饰）为妻，还收下了本地青年耿良辰（宋洋 饰）为徒代其踢馆，夫妻二人暂居 在贫民窟，防被踢馆的仇家前来寻仇。陈识与妻子原本看不上好斗好色的耿良辰，但接触后也发觉了耿良辰的可取之处。但随着第八家武馆邹馆长（蒋雯丽 饰）和军界人士林希文（黄觉 饰）的介入，天津武术界面临着一场巨变，靠武术复兴家业的愿望、对妻子的爱意，以及作为师父的责任，让陈识陷入了两难之境。
精明能干的眼科主任苏然（蒋雯丽 饰）和某物流公司董事长赵明齐（许亚军 饰）是一对结婚十多年的老夫妻，婚后二人相敬如宾，恩爱有加。不过随着各自事业上投入的精力越来越多，他们所在一起的时间越来越少。看似恩爱如初，但某些东西正悄然发生着变化。因生意上的关系，赵明齐邂逅了年轻貌美的车行销售员华莎（蒋欣 饰）。一个是多金潇洒的成功人士，一个是妩媚动人的年轻女性，俗套的出轨故事就这样发生了。可是当明齐想中断这段荒唐恋情时，华莎竟如胶似漆，想尽一切办法缠住他，更一心想成为明齐的正室夫人。
对于喜爱奶酪的华莱士（皮特·塞利斯 Peter Sallis 配音）和阿高来说，没有奶酪的日子简直难以想象。这次，我们的天才华莱士竟然认定奶黄色的月亮上有取之不尽用之不竭各种口味的奶酪，于是找来材料和工具，开始制作宇宙飞船。费了九牛二虎之力，宇宙飞船终于轰鸣着飞往月球。在月球上，奶酪真的随处都是，华莱士挑剔地寻找着最爱的口味，期间意外遇到一台投币机器人。谁知机器人并不喜欢外来者掠夺月球奶酪的行为，他想方设法出去华莱士一行。而贪吃华莱士全然不知危险正向他靠近……
故事发生在1940年代的香港，妙龄少女方兰（周迅 饰）和母亲（叶德娴 饰）一起过着相依为命的生活，两人将家中的二楼租住给了作家茅盾（郭涛 饰）和其太太孔德沚（蒋雯丽 饰）。方兰十分热爱茅盾的文字，在其中感受到了火热的革命热情和澎湃的民族气节，然而对于身边动荡的时局和紧张的政治氛围，方兰却知之甚少。 刘锦进（彭于晏 饰）是拥有着矫健身手的进步青年，受组织委托，他负责护送滞留在香港的一批重要文人返回大陆，茅盾一家人便在名单之列。在误打误撞之中，方兰被卷入了这一危险的行动之中，并在刘锦进的建议和鼓励之下，加入了革命队伍之中去，母女两人因此被卷入了历史的滚滚洪流之中。