2012年夏季WOWOW日剧山崎铁郎（大泉洋饰）因为幼时伙伴熊泽健二（平山浩行饰）而来到了深陷财政危机的四井商事。健二希望得到铁郎的帮助以重建四井商事，面对150亿元的负债还有前恋人仲里惠里香（檀丽饰）、东光物产儿岛由纪夫（渡部笃郎饰）、町会议员鎌田武造（柄本明饰）等人干扰，他能否成功的扭转局面呢？
由日本avg游戏系列《绯色的欠片》的第一部《玉依姬奇谭》改编而来的动画片，由日本资深动画制作动画公司StudioDEEN进行动画制作。第一季的内容于2012年4月1日开始放送，目前已经连载完毕，第一季共13话，第二季于2012年9月30日开始放送。
法庭上，十二岁的男孩赞恩向法官状告他的亲生父母，原因是，他们给了他生命。是什么样的经历让一个孩子做出如此不可思议的举动？故事中，赞恩的父母在无力抚养和教育的状况下依然不停生育，作为家中的长子赞恩，弱小的肩膀承担了无数生活的重压。当妹妹被强行卖给商贩为妻时，赞恩愤怒离家，之后遇到一对没有合法身份的母子，相互扶持勉强生活。然而生活并没有眷顾赞恩，重重磨难迫使他做出了令人震惊的举动……
解放战争时期，我军侦察参谋郭锐（王心刚 饰），奉命带领一支小分队深入丰城进行侦察，路遇还乡团长（于绍康 饰）带领团丁押解我妇女主任（杨雅琴 饰）和村干部（周冠森 饰），小分队将他们营救。之后，他们在小村安扎下来，分几路化装进城侦察。与此同时，敌人已知晓我侦察兵进城，派搜索队长王德标（安震江 饰）全城布控，郭锐得知王的姐夫是敌炮团团长黄宇轩（邵冲飞 饰），便假扮敌作战处长，并以黄老同学的身份到其家里，智取到敌人火力配备图，在第一时间上报给指挥部。当敌人发觉上当后，展开全城大搜捕，无奈为时已晚，我侦察兵早装扮成敌执法队，驾驶着缴获的中吉普，扬长而去......
年逾古稀、业已退休的戏剧演员莫里斯（Peter O'Toole 彼得•奥图尔 饰）和伊恩（Leslie Phillips莱斯利•菲利普斯 饰）是一对居住在伦敦的好朋友，闲赋在家中的他们生活平淡，偶尔去唐纳德（理查德•格利菲斯 饰）开的咖啡馆喝上一杯，追忆一下往昔的美好时光。 他们平静的生活被一个女孩的到来打破。伊恩侄女的女儿杰茜（Jodie Whittaker
凯特（波茜娅·道布尔戴 Portia Doubleday 饰）是一个非常平凡的女生，梦想着能够成为一名职业服装设计师。可是入行了一段时间后凯特渐渐发现，只凭借自己目前的名气是永远都无法出人头地的，无奈之下，她只得加入了继母爱丽丝（罗伦·荷莉 Lauren Holly 饰）所开设的服装公司，开始了寄人篱下的生活。 和凯特一起工作的，还有凯特的两个义姐塔尼斯（娜塔莉
ValerieTaylorisasharkfanaticandanAustralianicon—amarinemaverickwhoforgedherwayasafearlessdiver,cinematographerandconservationist.Shefilmedtherealsharksfor“Jaws”andfamouslyworeachainmailsuit,usingherselfassharkbait,changingourscientificunderstandingofsharksforever.
影片以清光绪十八年钦加同知衔正五品知县章炳焘为主人公，生动地描绘他在内乡为官九年，用自已的聪明和才智同内乡商会会长郑弼金为代表的地方邪恶势力做斗争，保护了内乡的穷苦百姓，利用地方绅商的银两修建了融大江南北风格于一体的县署衙门，使内乡的百姓有了申冤说理的地方，为老百姓创造了一个民心稳定、太平盛世的良好生存环境，同时公正廉明的他也得到内乡百姓的尊敬和爱戴。 西部电影集团西安电影制片厂
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
讲述了衡山派掌门莫小宝在和龙门镖局千金佟湘玉相识前，曾与另一个女子一见钟情，在爱情和家族利益面前，他最终还是选择了后者。
当一个名叫夏娃的年轻女孩被绑架并被关押在一个类似地牢的地下室时，警方认为这是臭名昭著的吹笛者的杰作。
萝丝（黛薇卡·霍内 Davika Hoorne 饰）是衔着金汤匙出生的千金大小姐，从小就过着养尊处优的生活，性格在家人的不断溺爱下变得蛮横而骄纵，最终，就连最疼爱她的爷爷也因为受不了她的脾气，而决定将萝丝送到自己的好友塔婉（坎·卡特塔翁 Kan Kantathavorn 饰）家。塔婉家中经营着一间农场，爷爷希望在这里，萝丝能够学会怎样靠自己的双手生活以及学会尊重他人。 在塔婉的半哄半骗之下，萝丝开始干起了农活，当然，农场里的众人也没少受这个娇蛮千金的气，而一向不服输的萝丝也因为自己和塔婉之间的赌注而忍受着辛苦劳作的日子。随着时间的推移，两颗心渐渐靠近。