八闽巾帼心向党 同心喜迎二十大
《优越的一天》讲述了金融公司代理、设计师、雇凶杀人业主等3名主人公在同一个公寓里度过一天的故事。 原作中金融公司的代理角色将在电视剧中改编成消防员。
FX将推出Rapper&喜剧明星Lil Dicky主演、聚焦他的生活的一部喜剧剧集，尚未定名。由Dicky和杰夫·谢弗(《联盟》《宋飞正传》)打造，凯文·哈特、格雷格·莫托拉(《太坏了》《新闻编辑室》)、Saladin Patterson(《生活大爆炸》)等执行制作，莫托拉执导首集。 聚焦一个住在郊区神经兮兮的20多岁的年轻人，他坚信自己注定会成为有史以来最好的
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
郑肯([摘金奇缘])加盟澳大利亚科幻片[占领]续集。首部导演卢克·斯巴克回归执导，卡司包括特穆拉·莫里森、丹尼尔·尤因、斯蒂芬妮·雅格布森等。首部于今年7月北美上映，故事围绕小镇居民合力抵...
モデルで女優の久松郁実が、“幸せをつかむために頑張る女の子へエールを送る”ことをテーマにした脚本家?野島伸司の書き下ろしドラマ『KISSしたい睫毛（まつげ）』で主演を務めることがわかった。3月6日より、フジテレビにて毎週火曜よる11時30分～40分、4週連続で放送する（※全4話）。
本片讲述了一群电视台年轻娱记突破重重阻碍，追查一起剧组事故背后真相的过程，探讨了全民“吃瓜”时代里真相的边界和主流媒体的责任。
哪吒（郝幽玥配音）尚未出生，就不断遭遇邪恶女魔头石矶（马小灵配音）的暗害。石矶潜伏千年，她帮助残暴的纣王作乱天下，伺机打垮正义力量。哪吒自出生后便力大无穷，生来就拥有神奇的力量。女娲因此选他为与邪恶力量抗衡的正义化身，拯救世人。于是哪吒在女娲、太乙真人和小龙女、小猪熊、雷震子等伙伴们的帮助下，与石矶一方的恶势力展开了惊心动魄的斗争。哪吒在一道道艰险难关中，慢慢磨练成长为一位勇敢坚强的小英雄。 52集优秀国产动画片《哪吒传奇》由中国国际电视总公司制作。本部动画片集神话、童话、传奇于一身，综合了神话传说以及《西游记》、《封神演义》的故事元素而加以改造，并注入了全新的时尚元素，成为近几年来最受儿童喜欢的国产动画片之一。
该片讲述的是上世纪五六十年代曼谷当地的黑帮历史，根据最近释放的原黑帮成员的采访回忆拍成，将大家带往那个老旧的黑帮时代。那时候，先是刀剑，后是枪械，以及浪漫的义气情节。老乔，最后成了传说。
本片以纪实的风格讲述了大学毕业生张磊回村组建体育特长班的故事，展现了老师与孩子们的生活、教育、训练的细节，质朴的表达了体育教育使孩子们不断成长，并明白了追寻理想、奋斗自强、永不放弃、公平竟争的人生哲理……