该片是一部讲述因一幢新建别墅掉进水洞而被困的人们的故事的灾难电影，由《华丽的休假》、《摩天楼》的导演金志勋执导。
福特（马丁·亨德森 Martin Henderson 饰）是一名赛车手，曾经，他效力于凶残而又狠毒的毒贩亨利（马特·斯查尔兹 Matt Schulze 饰），如今，重返家乡的他只希望能够和女友夏恩（莫奈特·玛佐 Monet Mazur 饰）一起过上平静的生活。 然而，亨利显然并不愿意放过福特，在各种威逼利诱福特重新回到他的身边无果之后，亨利将一桩杀人案栽赃到了福特的头上，而死者不是别人，正是飞车党老大泰瑞（艾斯·库珀 Ice Cube 饰）的弟弟，于是，泰瑞开始了对于福特锲而不舍的追杀，与此同时，联邦调查局亦因此而对福特展开了追踪调查，在如此危机的情况之下，腹背受敌的福特能否证明自己的清白？
在电视播音员被视为权威的昔日年代里，朗•伯甘蒂（威尔•法瑞尔WillFerrell饰）是屡屡获奖的圣迭戈王牌播音员，4频道在他的新闻小组的带领下笑傲同行，组内的三个怪家伙只有在朗的身边才能大展拳脚。工作之外，风流成性的朗自然也不会放弃利用知名度勾女，然而一个让他吃瘪的女郎维罗妮卡（克里斯蒂娜•艾伯盖特ChristinaApplegate饰）居然还是新闻部的新同事，众人先后对维罗妮卡展开攻势结果全军覆没，最后朗用狂野的风度征服了冰美人，维罗妮卡与朗的期望不同，这个有强烈事业心的女人开始在工作中崭露头角并挑战朗的地位，一次车祸后，朗的生活迅速变得混乱起来……影片申明“本片根据真实故事改编”。
布兰迪（米娜·苏瓦丽 Mena Suvari 饰）个性活泼爱玩，常常流连于各色派对之中。某日，她刚刚结束了一场狂欢，晕晕乎乎的驾车行驶在马路上，就在此时，车祸发生了，倒霉蛋是一个名叫托马斯（斯蒂芬·瑞 Stephen Rea 饰）的男人，然而，他非但没被撞飞，反而丝丝地嵌在了布兰迪座驾的挡风玻璃上，一时间进退两难。 布兰迪答应带托马斯前往医院进行抢救，然而，很快她便意识到，这场车祸和汤姆的幸存将会彻底改变她的一生，把她拖进深不见底的泥潭之中，解决的方法只有一个，那就是让汤姆死得无影无踪。很快，汤姆便意识到了布兰迪的真正目的，求生欲让身负重伤的他展开了自救。©豆瓣
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
剧情简介：
祝盈盈是一名空姐，为抓冒牌空少，却误将自家老总呼延铭“捉拿归案”，更没想到这个老总竟然是自己曾经暗恋的学长。祝盈盈本期待和学长相认的那一刻，却遭到了学长无情的针对，原来呼延铭误以为祝盈盈为了钱和房子，害的自己好兄弟周生失踪。祝盈盈本来是假扮周生的女朋友，没想到周生和呼延铭是发小，更不知道周生为什么会失踪。祝盈盈解释不清，坚守自己的清白，和学长呼延铭展开了激烈的对抗，两人你来我往，斗智斗勇，谁都不认输，却不知，使得周生失踪的幕后人再一次出手了，这个人就是呼延铭美丽的嫂子……
品立的新品发布大获成功，然而在庆功宴的第二天，品立因为面料问题爆发了品牌危机，消费者到品立生事导致聂思雨受伤。在聂思雨的建议下，通过公司上下的一致努力解决了危机事件。但平静一段时间之后品立又出现了设计稿丢失事件，杨迪也被卷入其中涉及抄袭事件，但这一系列事件，其实都是星慕集团聂振强为了吞并品立所布的棋，高骏试图挽回，但最终由于韦义的背叛，品立被星慕吞并了。事后高骏在成群集团老程总的安排下，与杨迪合作，不但取回了公司，还与杨迪双双获得了第十一届时尚之王的称号。
可怕的外星能量体被重新激活并制造了多起祸端，被攻击的对象无一例外都是热搜上的“话题人物”。原来外星能量体能够吸收愤恨情绪，从而侵蚀并操控人的意识，攻击被网络暴力的对象。“超凡追击者”世代维持着外星能量体的平衡，传到久条这一代，尽管他研发了很多新型科技武器，却也无法制服外星能量体。一次危机关头，功夫少女潇越出手相救让久条折服。潇越出身武术世家，为了实现梦想特地来此参加歌舞比赛，久条邀请她加入“超凡追击者”的战队。善良的潇越同久条与外星能量体展开了殊死搏斗，潇越也面临着梦想与责任的艰难抉择。最后关头久条为了给潇越制造反击而牺牲，潇越成为了新的“超凡追击者”带着正义与希望继续前行。
儿时一直担任班长的春三(车承元饰)和一直担任副班长的大奎(刘海镇饰)，20年后各自以里长和君守的身份再次相遇。 平和、寂静的忠淸道乡村小镇-江德君山村2里。一天，村里开了团结大会，但是村里的里长突然死亡，于是山村2里不得不要选出新里长。村里最有威望的老人说要选一个年轻人做里长，村里的老青年赵春三以唯一的候选人成为了山村2里的里长。春三根本没想过要做里长，但是他以最快的速度和最小的年龄成为了山村2里里长。 平时与村里的老人一起打牌为乐趣的平凡老青年春三，对突入其来的里长一职有些压力。有一天春三听说儿时的同班同学，也是在他下面听他指挥的副班长卢大奎将出任君守(比里长级别要大很多。)一职，春三感到非常窝火。曾经的班长和副班长，如今的职位却掉了个个儿，班长成为了里长，副班长成为了君守。 掌握山村2里的里长春三和曾被春三压制的君守大奎，俩人再次相遇后开始了无休...
普安（哲拉予·拉翁马尼饰）是个喜欢分享的时尚少年，喜欢把自己和女友小妙（SuthattaUdomsilp饰）恋爱的生活细节上传到facebook和youtube上，然而普安无意上传的一段小妙唱歌的视频，激增的点击率和虚拟网友的评论让这对少男少女的感情面临网络社交障碍的挑战。情侣搭档强（SunnySuwanmethanon饰）与蛮（SirinHorwang饰）因出演电影《再见情海》一夜成名，然而闪光灯下的绯闻亦让二人的感情因这部电影而以猜忌和痛苦结束，二人守着彼此曾经的回忆苦苦煎熬，而此时传来了《再见情海》要拍第二部的消息。中年新闻女主播晨练偶遇阳光帅气的马拉松小伙，长跑练习的约定让二人感情日益暧昧，然而丈夫坠机离世的痛苦回忆和姐弟恋年龄差距的道德约束却让女主播对这段感情的选择陷入了深深的挣扎。