罗伯特（陈勋奇 饰）从小就失去了父母，和舅父相依为命的他在舅父的广告公司中谋得了一份不错的差事。克里奥帕拉（倪淑君 饰）是公司里的创意经理，长相甜美个性活泼的她吸引了罗伯特的注意，令罗伯特深陷情网不能自拔。 一次偶然中，罗伯特的舅父从古董店中偷得了一枚铜镜，让他没有想到的是，他竟然就此将一位古灵精怪的小狐仙也顺道带回了家。调皮的小狐仙附在了克里奥帕拉的身上，利用自己的法力和克里奥帕拉的身体制造了一连串的祸端，可即便如此，罗伯特还是深深的迷恋着她。为了让着了魔的侄儿还魂，罗伯特的舅父偷偷调换了铜镜，没想到却让罗伯特因此死于一场车祸，小狐仙现身施法，令时光倒转，想要救回这个痴心人。
这是一档校园社团竞演节目，集结来自全国各类院校的20个舞蹈社团，以热爱之名，为校而战，争夺《沸腾校园》年度最强社团称号，共同演绎一场场青春张扬的热血对抗。让我们一起沸腾，热爱永不毕业！
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
杰米·多南与希里安·墨菲加盟二战题材影片《类人猿行动》（Anthropoid）。影片根据真实事件改编，英国训练两名捷克斯洛伐克士兵，刺杀纳粹党卫军头目莱因哈德·海德里希，行动代号”类人猿“。影片由《超市夜未眠》的导演西恩·埃利斯执导，2015年7月捷克布拉格开拍。
7月13日 2022NBA夏季联赛 公牛VS猛龙
故事发生在二战期间，主人公是法国小镇Nouvion的咖啡店主René Artois（实际拍摄地点为英国诺福克郡的Lynford Hall）。纳粹占领军抢劫了村子里所有的有价值的艺术品。 其中包括史上第一个布谷鸟挂钟，以及一幅号称是名家Van Clomp所作，价值连城的油画《堕落的大波麦当娜》。当地德军指挥官决定把这幅画归为己有，强迫Rene把画藏在他的咖啡馆里。可是，纳粹德国领袖希特勒也想得到这幅画，派了一个盖世太保军官前去寻找这幅画，而这个盖世太保也想自己猫腻这幅画。与此同时，出现了若干这幅油画的赝品。真品和赝品被弄混了。画被装进德国香肠里，一根放在军火运输列车中，在送往希特勒的途中被炸得粉碎，一根被藏起来，还有一根被Flick当成了晚餐。 该剧的另一条主线是两个被迫降落在该地的英国飞行员躲在René的咖啡馆里。当地全女性法国抵抗组织设法把这两位英...
校花竟然前来声称怀了自己的孩子?学姐前来斥责自己劈腿？……男主人公江浩一，凭借“爱神巧克力”的力量，获得了从天而来的美少女后宫。粉色系大小姐夏紫瞳，运动少女唐瑄，学霸眼镜娘林渊，再加上原本就喜欢着江浩一的病娇黑长直欧阳雪梨，还有一个每次出场都在吃东西的爱神妹子。江浩一的后宫里，你最喜欢哪一个呢？
当红一线流量男明星，演技浮夸，常常被网友抨击某天，意外遇见一个普通北漂女孩，在相处的过程中，被女孩的纯真、正直、善良所打动，从此男主决心改变。通过努力，在女孩的陪伴下，他从一个有争议的明星转变成一个有实力、敬业的好演员，获得了业内外所有人的尊重。同时，对女孩产生了最真挚的情感。他放下身段，顶着舆论和经纪公司的压力，开始倒追这个普通但“耀眼”的女孩。
莎姬和她的朋友花花公子帕特里克和甜心安东住在一个公寓里，这三个人都不想谈恋爱。童年父母的吵架的经历令莎姬觉得没有必要找到真爱。莎姬童年时最好的朋友菲利普给她发出了结婚请柬，请柬在塞满了邮件的邮箱里滞留了好几个月。当莎姬终于看到请柬时，她震惊地发现菲利普的婚礼就在第二天，他想要娶高傲而恶毒的弗兰西斯卡，这个女人绝对不适合菲利普!莎姬决定尽她所能阻止菲利普犯下人生中最大的错误。婚礼当天，莎姬在大闹一场破坏婚礼后喝醉了，第二天被安东叫醒的她发现自己又回到了即将去参加婚礼的早上……