玛利亚（朱丽叶·比诺什 Juliette Binoche 饰）是一名十分出色的演员，凭借“西格德”这一角色一举成名。在剧中，西格德野心勃勃，全身上下充满了致命的吸引力，她的行为直接导致了名为海琳娜的角色的自杀，是一出惊为天人的悲剧。 如今，玛利亚已经四十多岁了，命运让她再度站在了舞台之上，只是，这一次，她不再是性感致命的西格德，而变成了悲剧的化身海琳娜。饰演西格德的是一位名叫艾莉丝（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰）的新生代演员，她的个性狂放不羁，常常惹是生非，饱受非议。在入戏的过程中，玛利亚在艾莉丝的身上看到了曾经的自己，引发了她深深的思考。
阿祖（刘德华 饰）母亲逝世后，父亲（秦沛 饰）管教方法不当，父子俩的关系疏离。阿祖离开家独自生活，生活状况并不如意，幸好有女友阿仪（梁咏琪 饰）在旁鼓励照顾。阿祖一向喜爱赛电单车，但他性格要强，一次与父亲车队中的大伟（吴大伟 饰）比赛，结果阿祖在比赛中受伤了，昏迷了十天。女友悉心照顾并劝他以后不要再赛车了，于是阿祖康复后便决定放弃赛车，好好经营修车店。可是好友嘉乐（钱嘉乐 饰）在一次与大伟的比赛中身亡，事件令阿祖的初衷改变了，阿仪却失望离去……
老公回老家探亲却突然神秘失踪，袁茵带着女儿一路寻来，却发现村里正闹鬼，只要谁家出现鬼脸稻草人，谁家就会死人!稀松平常的日常所在，却隐藏着一个令人胆寒的骇人秘密！村里的人一个接一个离奇死去，这个不到100人的空心村里，开始被惊悚与绝望所侵蚀……杀人嫌犯、残疾兄弟、弱智少年以及老公初恋纷纷登场，看似熟悉的面孔之下，究竟隐藏着怎样不可告人的隐秘？追随着主人公的脚步一路行来，步步惊魂，刻刻虐心！当真相刨开，你会发现让人头皮发麻的故事，才刚刚开始，你所看到的一切，都未必是真相………..
一群穷小子与富豪斗智斗力的故事！阿旦（麦德罗）、墨鱼（蒋金）、阿喜（刘玉璞）、荷官（钱小豪）及超人（陈国权）是一群挚友，虽贫穷仍互相扶持。富豪崔东成（陈观泰）虽坐拥亿万家财，但生活寂寥。一日，崔与旦等人遇上，竟然达成了一个赌局，旦等人以五万元作保金，于十日内，能顺利偷取崔的名贵房车，房车便为旦等人所有，否则，保金充公！旦等人与崔斗智斗力，终于在限时最后一刻，将崔的房车顺利偷到手，穷小子终于战胜亿万富豪！
男人死前满腔怒气，故意穿着红寿衣下葬，死后化身恐怖厉鬼#飞尸
本片为邵氏一部很经典的早期恐怖作品,导演孙仲把一个普通的冤鬼复仇的故事拍得百转千回扣人心弦.不光极尽恐怖惊悚邪异奇幻之能事,还几乎都是打着讽喻人世间情仇爱恨的招魂幡做警示恒言,这也增加了影片在故事上的可看度以及现实感.本片挂靠着尸变,红衣厉鬼,僵尸的元素上演了一段复仇戏码,小镇就几乎像是当时香港社会的缩影
一群走投无路并急需金钱的人收到神秘邀请，邀请他们共同加入一场游戏。为了赢取 456 亿韩元的奖金，背景各异的 456 名参赛者被关在秘密场所进行游戏。每一轮游戏都是韩国人小时候会玩的传统游戏，如一二三木头人，但闯关失败的后果是死亡。谁将是最终赢家，这个游戏的目的是什么？
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
本片根据真实故事改编，讲述一个拥有天赋嗓音的韩国男高音裴再哲，在一次彩排中突然失声，经过检查患有甲状腺癌，必须放弃歌唱生涯。就在他失意彷徨之时，他的日本经济人给予他极大的支持和帮助，并鼓励他重返舞台…...
吊儿郎当的吹牛辉（周润发 饰）答应暂时照顾昔日恋人李夕（袁咏仪 饰）的儿子李阳（柯炜林 饰），代价是十万。后来发现是他亲生子且患有自闭症。从此改变了一生。当父子感情递增之际，迎来了李夕病逝消息。辉哥决定扛起做父亲的责任，带着儿子奔向人生新一页。
《朱莉小姐》原是戏剧大师斯特林堡的代表作，女主角因性格怪僻而遭遇未婚夫抛弃，这时一名男仆乘机求爱，朱莉小姐被打动于是与男仆谋划私奔。但后来朱莉偷了父亲的钱被发现，正在狼狈时父亲已经回家，男仆建议朱莉用剃刀自杀以保住名节，朱莉拿着刀开门走了出去。这部作品一直被看做是小型室内剧的典范，曾多次被翻拍成电影，故事中激烈的戏剧冲突对演员来说是不小考验。
在巴布亚新几内亚某地一个人迹罕见的原始丛林腹地，有一个号称洞穴之母的巨洞——伊萨·阿拉。腰缠万贯的探险家卡尔（Ioan Gruffudd 饰）一掷千金，雇用拥有丰富洞穴探险经验的弗兰克（Richard Roxburgh 饰）及其团队对这里进行勘查。转眼之间几个月过去，伊萨·阿拉的勘探虽然颇见成效，但进度仍显缓慢。与此同时，强烈的热带风暴即将到来，洞穴探险迫在眉睫。卡尔为此和弗兰克发生争吵，而后者孤注一掷，和早已身心疲惫的搭档茱德（Allison Cratchley 饰）潜入水中，挑战有着“魔鬼之限”之称的凶险通道。另一方面，卡尔的女友维多莉亚和弗兰克的儿子乔希也到洞中探险。殊不知灭顶之灾正在逼近…… 本片根据Andrew Wight在西澳大利亚探洞时的真实经历改编，采用《阿凡达》的3D摄像机拍摄。