一个神秘的军事组织，通过改变基因将普通人改造为体能、反应和速度都远远高于常人的生物武器，并将它们贩卖给黑帮组织。强风（安志杰 饰）就是其中的一员，可是，善良的他并不愿意助纣为虐，而是选择逃离了组织的控制，化身为惩恶扬善的“黑侠”，在世界各地弘扬正义。 军事组织的首领宙斯得知了强风逃跑的消息，派出了冷血残酷的杀手梁，想要将强风捉拿归案。与此同时，一位疯狂的科学家企图将人类和动物的基因结合在一起创造出新的物种，结果可想而知，他得到的是一群半人半兽的怪物。科学家得知强风的血液能够帮助他走出研究的困境，于是亦对强风展开了追捕。
未来的世界，人类已能轻松穿梭于星际之间，在太空中展开商业活动。“诺史莫”是在太空活动的众多星际商业运输船之一。一次，它完成任务满载太空矿石返航地球时，突然收到了一组奇怪的信号，由于这可能是求救信号，飞船接到指令前往信号源地进行搜救。 经过一段飞行后，飞船终于抵达信号源发出的地方。船员们发现此处果然有一艘坠毁的飞船，只是，经过一番搜索，他们发现该船的船员们都早已死亡，化为化石。此时，留在“诺史莫”号的第三指挥官里普利已经破译出该信号并不是求救信号，而是警告信号！队员的生死搏斗开始了！
影片讲述了弟弟小崇（黄远饰）为挑战哥哥阿轩（王大陆饰）而踏上跑步之路，中途机缘巧合认识田径部高冷学姐以晴，小崇以晴找到新的奔跑目标，在亲情和爱情的双重激励下勇敢追逐梦想的热血故事
改编自筒井哲也的同名漫画。故事讲述孤岛猪狩岛上人口及资源稀少，岛上青年泉圭太(藤原龙也饰)生产的黑色无花果成功吸引到了大量资金进驻，松山研一饰演与圭太自幼一起长大的猎人田边纯，两人的命运因一场谋杀案发生改变。
2017年秋：敬文的舅舅17岁时被卡车撞上，从此陷入昏迷。17年后他奇迹苏醒，敬文去医院探望舅舅，却只见他独自胡言乱语，宣称自己是从“大巴哈马鲁”异世界归来。……舅舅的脑袋显然是坏掉了。敬文不知所措，但舅舅却施展法术，证明自己的确去过另一个时空。敬文决定将舅舅接回公寓同住，一方面是没有其他亲戚肯帮忙，一方式是他觉得可以利用舅舅的能力来赚钱。两人住在一起后，敬文一步步得知舅舅奇幻精彩的冒险，以及他对SEGA电玩的痴狂。然而，有时听着舅舅孤单又残酷的遭遇，让敬文在开心的同时，也为他感到难过。这部新颖刺激的异世界喜剧描述不同世代的舅甥俩，在公寓的一角拍摄影片，努力朝网红之路迈进。
描写把枪埋在体内的女刺客的死斗的暴力动作片。被大财阀的儿子·浜崎杀死妻子的男人发誓报复，用钱买下真由美这个女人的命。男人为暗杀浜崎，把她训练成刺客，严酷的特别射击和格斗术，并把枪埋在体内。曾主演井口升指导的《机关枪少女》的动作片女演员亚纱美担任主演，演出赤裸+血浆+惨烈战斗的真由美。导演光武蔵人是活跃在美国的演员，曾自导自演「复仇剑·盲狼」。本片获2014年夕张国际奇幻电影节评委会奖。
A rich man leaves all his wealth to his most loved Ex-girlfriend. But at his wake, five exes pay their respects by sharing their wild and naughty moments. Who among them will be his heir?
首部CF热血轻动画，献给所有热爱CF的小伙伴们！ 某生化研究所实验体暴走造成了生化危机，研究所惨遭沦陷，保卫者特别行动小组接受命令执行清理任务。与此同时，有一队潜伏者要偷取超级生化样本。在战斗力超强的生化怪物的围攻下，保卫者和潜伏者化敌为友，并肩作战，杀出一条生路......
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
英国最臭名昭著的浪荡女孩，号称撒旦荡妇。
金刚（许冠杰 饰）成功降服白手袜之后，白手袜之兄黑手袜受黑手党指派继续交易钻石并向金刚复仇，金刚与黑手袜的高级机器人大战数合终于侥幸胜利，却马上又落入了牛牛、悠悠兄妹犯罪团伙的骗局，卷入银行抢劫案成为嫌犯，金刚逃亡路上将拍档光头神探（麦嘉 饰）与何东诗（张艾嘉 饰）的婚礼搅得一塌糊涂。所幸光头神探义字当先合力与金刚对抗牛牛、黑手袜，却不料金刚再次被悠悠戏弄，光头神探也只落得被严妻整治。最佳拍档被牛牛团伙胁迫，不得不出面抢夺钻石，而黑手袜方面再次出动高级机器人应战，早有准备的金刚取出机器人特工队，混战一触即发…… 本片是最佳拍档系列的第二集。