半月关之事告一段落,谢怜受神武大帝君吾的传唤回天庭述职,却意外得知有神官在鬼市附近施法求救而鬼市如今的主人“血雨探花“花城,正是七日前突然辞别的红衣少年三郎,此事疑点重重,谢怜白愿请命,与风师青玄、东方武神郎千秋一同秘访鬼市探查真相……
家住天津的大龄青年杨光（杨议饰）和老父亲杨丰年（杨少华饰）住在市中心一幢老旧的二层小楼里，他原本在铅笔厂工作，收入一般，好在稳定平和，却不知怎么稀里糊涂就下岗成了无业人员。本来就和女朋友夏丽（李立君饰）的关系捉摸不定，若即若离，这一来更是为了美好的婚姻前程蒙上了阴影。为了谋求生计，杨光开始四下寻找工作，在此期间却遭遇了无数离奇有趣的人和事，比如仗义善良的老板黄大发、奸诈狡猾的碰瓷者（赵津生饰）、妈妈例儿超多的刺儿头老姑（胡可瑜饰），令杨光的生活充满了几多麻烦与欢乐……本片为杨议父子领衔主演的情景喜剧第一部。
Wavve原创电影《绅士》(Gentleman)是征信所社长池贤秀(朱智勋饰)在洗脱冤屈的过程中卷入巨大事件的轻快的犯罪娱乐片。该片讲述了池贤秀(朱智勋饰)为了在一周内洗清冤屈，与金华镇(崔成恩饰)合作，亲自寻找受害者的紧张感十足的故事。朴成雄将在《绅士》(Gentleman)中饰演贵族检察官出身的律师事务所代表权度勋（音）一角，展现强烈的存在感。
TNT宣布续订《陨落星辰》（Falling Skies）第四季，订数仍然为10集。该剧第三季平均观众人数（Live+7）为580万。在第四季中，Tom Mason和他领导的第二独立团决心一劳永逸地击败入侵地球的外星人，夺回属于人类的家园。《陨落星辰》开篇呈现给观众的是一 幕外星人袭击后地球几乎毁灭的景象。在外星人首次入侵6个月后，少数幸存者聚集到大城市的外围，打算进行一场艰苦的反击战。然而对他们来说，每天都是挑战，作为城市的守护者，他们需要不断地反抗外星人的侵略并保护那些难民们。 本剧的男主人公名叫汤姆?梅森（Noah Wyle饰），是波士顿一名历史学教授。外星人入侵使得他家破人亡。初袭时，他的妻子被杀害，三个儿子中有一个也被俘虏。
经过厚生省官员白鸟圭辅（仲村亨 饰）和东城大学附属医院心理治疗内科的医生田口公平（伊藤淳史 饰）的全力奔走，日本终于引进了首台新型核磁共振成像（MRI）仪器“利维坦”。与此同时，某栋高级别墅地下室内，九人离奇死亡，其中则是厚生省中唯一支持白鸟引进利维坦的船桥审议官。高傲张扬的海归教授东堂文昭（生瀬胜久 饰）李勇刚组装好的利维坦查明死因，却也让白鸟对其产生怀疑。另一方面，在Ai中心举行研讨会前不久，田口收到一封威胁摧毁三头犬之塔——利维坦的恐吓信。在美丽记者别宫叶子（桐谷美玲 饰）的协助下，田口察觉这一系列事件很可能是对白鸟怀恨在心的樱宫堇（栗山千明 饰）所为。 时间一分一秒流逝，利维坦和Ai中心迎来吉凶莫测的关键时刻……
真正的诗选剧开山始祖《阴阳魔界 The Twilight Zone》或将再次被重启，这部在外国有着极重要地位的剧集，过去有CBS 1959年原版﹑CBS 1985年第一次重启版﹑UPN 2002年第二次重启版，而CBS今天表示，他们正计划再一次重启这部剧集。 这一版本的《阴阳魔界》由Marco Ramirez执笔及当制作人。
持田哲志（下野纮配音）是如月高中二年级学生，是个性格温柔的人，妹妹持田由香十分依赖他。哲志的青梅竹马直美（佐藤利奈配音）一直喜欢着哲志，但迟迟没有向他表白。岸沼良树（中村悠一配音）是哲志的同班同学，暗恋着哲志班上的班长步美，不过步美只对哲志抱有好感。明天就是大家期待已久的文化祭了，如月高中的学生都怀着兴奋的心情走进校园，而他们却不知道自己正向一个巨大的阴谋中走去，等着他们的到底是什么样的诅咒？如月校区传来的尖叫声又是怎么回事？可怕恐怖的惨剧正等着这五名少年……“尸体派对”是一款恐怖冒险类游戏，尸体派对OVA全集是游戏“尸体派对”限定版同捆的OVA动画。
顶级雇佣兵王焕在一次刺杀任务中被害身亡，醒来后却到了一个波诡云谲的地方。在这里都是已经死去的人，而复活之后都具备了一种“虫”的能力，这种变化莫测的能力叫做“虫生”。 来到这个奇异的世界后，为了生存下去，王焕加入到11队。在这里有可爱乖巧的划蝽苏可，有性感清冷的伊蚊尹紫，还有结实可靠的蜣螂大奎......身边的队友有各种虫生的状态，那么雇佣兵出身的王焕，会虫生成什么形态呢？
上个世纪五十年代末期从海外归国，到了一所名叫月亮湾的乡村小学任教。走过了大跃进、文革、新时期、新世纪等不同的历史时期，经历了刻骨铭心的初恋，到结婚生子，直到成为一名白发苍苍的老头……
多伦笼络了一名意志坚决的年轻拳击手，二人接受了一项长达数月的秘密任务，追捕一名在辛贝头号通缉名单上的哈马斯领导人。
该动画中竞技对战方式是采用带马达的陀螺进行对战而动画本身也是仅在北美登录的新动画系列，霸旋家族的异色分支故事。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.