WrittenbyMichaelHirst,thisseriesisanepicromanticadventurebasedonthelifeoffamousAmericanoutlawBillytheKid,alsoknownasWilliamH.Bonney—fromhishumbleIrishroots,tohisearlydaysasacowboyandgunslingerintheAmericanfrontier,tohispivotalroleintheLincolnCountyWarandbeyond.
警司昆廷（莫里斯•迪恩•温特Maurice Dean Wint 饰）、监狱专家兼传感器专家伦尼斯（维尼•罗宾逊 Wayne Robson 饰）、医生霍洛韦（尼基•瓜达尼 Nicky Guadagni 饰）、建筑师沃思（戴维•休利特 David Hewlett）、数学系的大学生利文（尼科勒•德搏尔 Nicole de Boer 饰）和身患孤独症的学者卡赞（安德鲁•米勒 Andrew Miller 饰），六个素不相识的人，一觉醒来后发现一同身处于由一个个形状相同的立方体组成的结构复杂的高度精密迷宫中！ 他们唯一的出路只有逃离这座迷宫，然而，一个个立方体尽管外貌相同，然而里面的机关却各不一样，复杂异常。依靠利文数学知识的推理，他们终于以为发现迷宫的运行规律，凭此一次次解开各个机关，迷宫的边缘近在眼前。 当他们正欲合力逃出迷宫之际，意外发生了。
大楚皇后姚莫心在朝中被奸人所害，而一场雷雨闪电之后，她的魂魄却到了妹妹姚莫婉体内，而姚莫婉此刻正在被敌人追杀，在危机时刻掉下悬崖失去了记忆。姚莫婉与大楚肃亲王夜君清在一系列的阴差阳错之下逐渐相爱，可就在两人都想互表心意的当头，姚莫婉知道了自己就是姚莫心的事实，也知道了自己曾经被仇人所暗害。为了报仇，姚莫心凭借妹妹姚莫婉的身体，再次进入皇宫。初入皇宫之时，姚莫婉在几个妃子之间找到了杀害姐姐莫心的仇人，并认识到了皇帝夜鸿弈的本质，狠下心来要替夜君清夺回江山。为了复仇，姚莫婉先后结识楚漠北、寒锦衣等痴情而又无所求的各色人物，欠下数不清的情债。姚莫婉终于实现自己的承诺，报了血海深仇，也还心爱之人夜君清锦绣河山。
星星球机器人感染木马程序开始伤害人类，由于这种木马程序年代久远，只有过去的时空才能研发出来，于是开心超人回到过去的灵光星，寻找能清除木马程序的和平代码。但没想到的是，开心超人居然回到了和平代码还没有研发成功的时空，此时人类与机器人处于矛盾大爆发的时候……
金阳县山清水秀，物产丰富，但吏治腐败，更因贵族三觉罗的潜心策动，指使地方恶势力为所欲为，横行霸道，令金阳县百姓苦不堪言，国家赋税流失严重。梵如花临危授命，带着小姨子玲珑走马上任，身后还跟着一个"钱庄"派来讨债的伙计簸箩。上任后梵如花先与掌握金阳县经济，并上通大清国各部院的恶势力头面人物"万金刚"交火。通过一番智斗，他以常人所不及的计法，处置了这个通天的大无赖，因而也触犯了大清例律，被罚了两年的俸禄，但却赢得了金阳县百姓的拥戴。金阳县恶势力的幕后老板，自称"小诸葛"的三觉罗，见梵如花来者不善，也一反常态地为百姓做起了善事，但暗中仍在不断地给梵如花设绊儿、下套。簸箩为尽快地了结债务，以种种招数诱梵如花做一回贪官。吕大龙和二姑奶奶都对梵如花赞赏有嘉，暗中相助，却引起了一直暗恋梵如花的小姨子玲珑心中的醋意，故意当着梵如花的面与簸箩亲近。可爱的簸箩不知其"用意"，似箭的心安顿了，说是要陪着玲珑……
园子温新片讲述导演小林正的新片“假面”招募演员，吸引大批想入行的女人前来报名，但是条件只有一个：必须通过实体书信邮寄，而正是红色的邮筒，将所有角色串联到了一起……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一个侽人和一个钕人，侽的是搞摄影的，US人，钕的是法国人，跟随侽人来到加利福尼亚的沙漠里寻寻拍摄景地。祂们像是一对恋人，又不十分像，没别的事做时两人就狠狠地xing交，或争吵，甚至大打出手。说不清祂们是在相嗳，还是彼此憎恶，就这样粘在一起，互相折磨着。 两人在一个叫做;29棕榈镇 的荒凉小城住丅
为了逃脱地狱坟墓的禁锢，吸血鬼（马汀·坎普 Martin Kemp 饰）需要纯洁处女的鲜血，在黑暗和痛苦中等待了千百年，一个名为夏洛特（艾莉莎·米兰诺 Alyssa Milano 饰）的年轻女孩成为了吸血鬼的目标。