AbelDavos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子EricStarck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。
傲娇大小姐景知夏（蔡卓宜 饰）遇上双重人格霸总傅泽一（肖凯中 饰），一场两个人的甜虐“三角恋”即将开启，男强女强超爽成年人式爱情故事。
狄仁杰在前往大理寺报道任职之际，浦江境内发生杀人夺金案，现场疑点重重，不仅发现 血藤、秦川粉蝶、树妖的痕迹，还有不止一股势力出现的迹象。到现场勘查的狄仁杰遭到 护花女沈珺瑶的纠缠，与正在调查树妖杀人和黄金失窃案的女官江寒霜撞上，三人结伴调 查真相，隐藏在其中的惊天阴谋逐 渐浮出水面……
《黑玫瑰》讲述的是1942年初，国民ZF国防部保密局遴选出12位名身怀绝技的绝色佳人，将她们组成一支秘密“金钗敢死队”，专门斩敌酋、锄汉奸、窃取情报等特殊任务，为完成上级交代的任务，几个身世迥异、性格不同的妙龄女子一起出生入死，冒着枪林弹雨，与日寇斗智斗勇的故事。
电影《三打三捷》作为电影频道节目中心出品的“共和国名将系列”的又一部力作，在创作上继续秉持注重史实的真实性，热情讴歌革命先烈为新中国的建立抛头颅洒热血的革命英雄主义精神。该片以中国人民解放军开赴山西，攻克临汾、晋中、太原等重大军事事件为背景，讲述时任华北野战军第一兵团司令员的徐向前元帅，与阎锡山等人斗智斗勇的精彩历史事件，展现了徐向前同志坚定的革命信仰、卓越的军事才能和高尚的道德情操。影片同时还穿插了徐向前同志的部分家庭生活和情感细节，表现了徐向前英雄柔情的一面。阎锡山形象也有适当的人性化描写，人物更加丰满立体。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Paul Mullan has left the police force after mistakenly killing his partner. He became a drifter. Accidentally he lands a job as a chauffeur after meeting a mysterious wealthy gentleman named Bernhard. Soon he gets involved with in a passionate love affair with Bernhard’s lover, Michelle. Things start getting complicated for everybody when Bernhard’s daughter, Lindsey, gets kidn... (展开全部) Paul Mullan has left the police force after mistakenly killing his partner. He became a drifter. Accidentally he lands a job as a chauffeur after meeting a mysterious wealthy gentleman named Bernhard. Soon he gets involved with in a passionate love affair with Bernhard’s lover, Michelle. Things start getting complicated for everybody when Bernhard’s daughter, Lindsey, gets kidnapped. Trying to not involve the police, Bernhard asks Paul and Michelle to help rescue Lindsey. They managed to do it but they also discover that Lindsey wasn’t so innocent after all.
牛栏昌接管马良的贩毒集团后，风头一时无两。此时正警校校花嘉文从英格兰受训回港，她奉命扮成歌舞小姐明察暗访，搜集犯罪证据。但嘉文只是个歌舞小姐，要接近牛栏昌或他的副手蕃薯东谈何容易，故此嘉文转而对他们若即若离，使他们自愿上钓，从而探取贩毒情报；但牛栏昌也非蠢材，终对她起疑心......
阿美（王祖贤 饰）是个美丽的女孩子，可是天生脚就有残疾。她的父亲（黄霑 饰）因被堂叔欺骗买下了一间破旧不堪的超级市场，花掉了毕生积蓄的父亲变得疯疯癫癫的。阿美既要照顾父亲，又要帮忙打理超级市场，生活的重担落在了她的身上。在一次交通意外中，司机梁少祖（周润发 饰）以为自己 把阿美撞至残疾，十分内疚，便决定要帮助阿美经营超级市场。阿美一开始并不信任梁少祖，到后来他联合朋友来帮助自己的超级市场度过难关，心里满是感动，两人更坠入了爱河。
2002年，资深老贼段虎（张国强 饰）的贼老婆乔安娜（殷桃 饰）已怀有六个月身孕，但是一次盗窃将夫妻二人双双送入警察局。观音桥派出所所长向前进（孙海英 饰）负责此案，他一面秉公执法，一面和徒弟周术术费尽心思保证安娜和她肚子里孩子的安全。孩子平安降生，前进为他起名段益，希望孩子将来能有益于人民。贼公贼婆锒铛入狱，但段益成为向家难以割舍的存在。时间一晃而过，段益（崔璨 饰）进入小学，乔安娜和段虎也先后出狱。他们不仅要思索该如后走出改过自新的人生，更要考虑如何与他们的亲生骨肉相认相处。 虽然穿着警服，但法不诛心，向前进前前后后、殚精竭虑为这个特殊的家庭谋划，只为他们拥有幸福无悔的人生……
某香港科技大亨的女儿失踪，Breslin发现罪犯是自己一个老对手的疯狂儿子，他还绑架了Breslin的爱人Abigail，并把她关在名为“恶魔车站”的巨大监狱里。 Breslin将和自己的团队硬闯虎穴，试图劫狱。
根据漫画原著改编的‘神的男人’是讲述具有超能力的主人公和毒品组织进行周旋战斗的电视剧。 主人公Michael.king（崔强塔），演绎的是一个诅咒杀死自己父母的仇人，为了报仇成为世界最强秘密组织老板的角色。但是在这个过程中，遇到了一位名叫陈宝姵的女人，陷入了命运般的爱情。‘以恶制恶’就是他的人生信念。陈宝姵是抓住男一号的心，刚刚入社2个月的菜鸟社会部记者的角色。 另外，头脑聪明，判断力卓越的黄佑贤这个角色，遇到初恋陈宝姵生活被打乱的同时，嫉妒心和胜负欲渐渐地产生着变化。 vivian是对Michael.king绝对顺从，一心一意爱着他的女人。Vivian为了Michael放弃了一切甘受屈辱，但当Michael回到韩国和一个菜鸟记者陈宝姵陷入爱河后，便决定和佑贤联手。