作为“出租女友”赚钱，每周一次成为某人的女朋友的雪（吉川爱饰）。抱着无法填补的孤独用男人来排空寂寞的莉娜（横田真悠饰）。在歌舞伎町往返牛郎俱乐部的由亚（齐藤渚饰）。不受周围人影响，坚信拥有“自我”的萌（箭内梦菜饰）。执着于外表反复整容的彩（宇垣美里饰）。5位女性各自都有自卑感和烦恼，一边挣扎一边想要克服
In1999SebastianlockshimselfinaTVstudio.Hehastwohostages,agun,andanimportantmessagefortheworld.
平时靠当主播为生的小人物濮通（艾伦 饰）生活进入困境，老板拖欠三个月的工资，导致他连房租都交不起，因此遭到老婆米粒（王智 饰）的奚落。老婆找到公司讨薪，他仓皇失措跑到公司赶走老婆，随后找到经理索要工资。谁知眼看到手的钱，却被公司背后的金主杨台竣（金士杰 饰）的儿子杨小伟（鲁诺 饰）抢走。杨小伟是一个典型的浪荡无度的富二代，他每日花天酒地，挥金如土，由于老爹恼怒他的放纵，并进而拒绝给他钱，所以债台高筑的小伟遭到巴爷（任达华 饰）的威胁。此后，紧追不放的濮通跟小伟回到家中，小伟干脆假装被对方绑架，怂恿濮通向杨台竣索取高额赎金。 然而，事情最终朝着不可预料的方向发展……©豆瓣
故事讲述了茫茫大海中的一个黑暗丛林里，年轻的男孩马可正在逃离可怕的巫师和他的猿猴军队。逃跑途中，马可偷到一颗能够在满月时分实现愿望的魔法钻石。但不久之后，名声狼藉的剑齿虎船长听说了这颗神奇的钻石，决定率领海盗团将这颗钻石夺走……
影片聚焦鲍尔和阿纳兹，现实中是夫妻的两人在经典情景喜剧《我爱露西》也出演一对，片名中的“里卡多”是两人在剧中角色的姓，故事设定在《我爱露西》拍摄中的一个工作周，从周一的剧本围读到周五的有观众拍摄，在此期间两人遭遇了巨大危机，事业可能终结，婚姻也可能泡汤。历史上，是鲍尔向《我爱露西》剧方要求自己的丈夫阿纳兹也出演该剧(本剧改编自鲍尔的热门广播剧)，CBS一度不太愿意，担心观众不喜欢看一个很“美国”的女主角与一个古巴裔男子在一起。
在我国大西北的一个美丽的村庄里，有着两位怀着建设社会主义新农村的理想的女孩，姐姐名叫彩霞，妹妹叫彩菊，她们的梦想是要在村子里建上一所学校，让所有农村的孩子都可以在她们办的学校里上学，为了这个梦想，她们从自身的刻苦学习开始，摆脱了愚昧的枷锁，坚信知识一定可以改变命运。故事一开始姐妹俩的朗朗书声便伴随着父亲的凿土声回彻山岗。父亲为了让姐妹俩能够学好知识将来实现建设家乡的梦想，无论风吹雨打，始终默默地辛勤劳作，为姐妹俩积攒着读大学的学费，但无奈期间父亲与女儿一直存在着一个沟通的问题，由于父亲把爱埋藏得太深，加以表达能力的偏差，导致了在沟通的时候让姐妹倆误认为父亲根本不想让她们考大学，但姐妹倆并没有由此改变决心，而是更刻苦地学习进步，父亲则是看在眼里疼在心里苦在嘴里。眼看高考即将来临，姐妹倆看父亲仍是没有表态，情急之下姐妹倆决意背着父亲跑到县城去参加高考，村庄离县城的距离足有四十余里，姐妹倆想要徒步进城去考试，当父亲知道此事之后便马上雇来村里拉沙土的车子一路追赶，当拦截到姐妹倆的时候方知父亲其实早已对此事有所准备，只等高考一到马上让车子送姐妹倆去考试，姐妹倆得知父亲用意之后感动之余更是暗暗发誓一定要考个好成绩回来回报父亲回报家乡，在父亲的陪同下姐妹倆顺利到达考试现场。第一天考完下来，父亲已安排好了姐妹倆住在县城亲戚家，看着姐妹倆兴高采烈地讲述着自己如何如何轻松答题，年迈的父亲微锁着眉头，心里盘算着姐妹的学费的问题。考试第二天，当父亲得知县上有一处工地正在招工的时候，为了姐妹倆的学业，年迈的父亲不管三七二十一便前去应聘了，不料因施工不当父亲受了重伤被送去了医院，此时正欲进行第二场考试，姐妹倆的大姨冲到了学校把此事告知彩霞彩菊，因为医院做手术需要家属签字方可实效，眼看考生都陆续进入考场，姐姐彩霞不得不得痛下心来离开考场到医院去签字，并叮嘱妹妹留下考试，但妹妹彩菊决意要姐姐留下自己去，姐妹倆纠缠许久，最后妹妹没能说通姐姐，姐姐离开了考场，妹妹留了下来，一直到高考的结束。当妹妹回到家的时候，父亲腿上已是包着厚厚的药布躺在炕上,妹倆细心照料着父亲，但接如其来的问题是如果妹妹考上了大学那将意味着家里需要一笔钱作为供妹妹上学的经费，此时姐姐决意要到外地打工，但遭到了父亲的责备，父亲还是希望姐姐能够继续学习待到明年继续高考，但姐姐没能理解父亲的意图，更不忍看到伤病中父亲一天天消愁下去，为了妹妹的大学梦想，姐妹倆的建设家乡的梦想，姐姐还是决定了要外出打工。熟不知伤病中的父亲也一直在暗自作着心理斗争，终于有一日，趁着姐妹到地里干活，父亲下床欲要到村里找点做，当父亲走到院子台阶的时候脚上一滑，狠狠地摔倒在石阶上，从此她们的父亲没能再站起来。父亲在临走前给姐妹倆留下了一个坛子，坛子里面是一捆一捆由五元或十元的钞票卷起来的钱捆子，每捆钱都用一张小纸条包住，纸条上写着歪斜的几个字样“彩霞的学费”，“彩菊的学费”，看着坛子里的钱，姐妹倆明白了一切，但她们的父亲已经永远地合上了眼睛。一年后，姐姐也考上了大学。数年以后，姐妹倆终于实现了她们的梦想，她们回到了自己的家乡，兴办起了一所学校，那时候的家乡已是变得美不胜收……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
11月9日 22-23赛季德甲第14轮 斯图加特VS柏林赫塔
提奇是位身材瘦小，但精力无限又有很多小聪明的男孩，每天活在自己的宝莱坞白日梦之中，他幻想自己是位战无不胜的动作英雄，而屋顶就是他的国度，但英雄出征还需要一名同伙才行，此时他看上了巴布。巴布身材圆润、脑筋较死板，同时还很怕死，但他用志气与想像力来弥补先天缺点。为了帮他们的社区与家人摆脱黑帮老大拉杰的掌控，两位个性截然不同的9岁男孩很快就发现，自己可以在对方身上学到很多。本电影透过一场场刺激的冒险，向经典宝莱坞电影与电影中的传奇英雄致敬。
时隔4年回归的第二季《谜湖之巅2：中国女孩》中，伊丽莎白·莫斯扮演的Robin Griffin警探回归！影后妮可·基德曼、Gwendoline Christie等加盟 Robin从新西兰重返到悉尼准备重新生活，然而邦迪海滩漂来一个亚洲女孩的尸体，凶手也很难找到，而Rob in也开始意识到可能并不只有这一个中国女孩死去这么简单，她要深入调查此事，不仅要走入城市最黑暗的深处，加上一直牵绊自己的自身问题，她也将再次直面内心的痛苦和秘密。